Her works are tantamount to a series of notes representing life's dissonance, composed together in well-organized harmonies, which contains no consolation, but only acceptance and a great belief in the power of art to purify the soul. Guided by her refined intuition, one line led to another, and the application of one material summoned the other. Uri acted out of an urge to express herself in a direct, unmediated, straightforward manner. In each of Uri's works there is a spectrum of differentiated, sharp, at times disharmonious sounds, from which she masterfully creates compositions full of life and movement. Sydney-raised, often-LA-based musician AViVA is an entirely different force, however. Each material and each line has its own sound-a unique texture, thickness, and hue. While many distinctive drawing artists focus on a single material, Uri often combined different drawing materials, and many of her prints became one-off works when she supplemented them with drawing by hand. She is a well-known international artist and recently has shown with Frank Auerbach, Susan Stockwell and Jane McAdam Freud. Uri's main means of expression were the line and its paper surface, which she pitted against each other using a wide range of techniques. The exhibition presents an outstanding selection of Uri's works, all from the collection of Haifa Museum of Art. But I see it clearly everything that we do, sketch out, engrave, arouses lamentation for our inability, for the inability of our knowledge, a line's end, is there an end? The line is 'good', it is 'art', only when it isn't virtuoso-like, when it isn't effective, when it isn't graphic, when it lacks brilliance it is 'good' when it breathes like a creature that has just been born, and contains something of the knowledge of the past and memories of the future, all that exists and stands in the universe's future and awaits its revelation, the solution of its riddle And the paper-the paper is the world.'Īviva Uri's ability to touch on raw emotion, and the intense expressive quality typifying her work, have made her a highly influential, mythical figure in the history of art in Israel. Also a practicing artist, Aviva has produced two full-length interdisciplinary productions as well as a number of shorter works. Croke Park is the home of gaelic games in Dublin. Her Blued Trees Symphony (2015) is a performance work made with a forest by painting a musical score on the trees. While focusing on processes that disguise the original function of the found objects, these forms become amalgamations of broken bits and pieces of my world.'A line is a sensation, an ability to feel, a ray we still don’t know the essence of. Artist Aviva Rahmani also makes use of legal ideas. Each found object has a specific appearance or emotional connection that influences my decision making process in the formation of my art. Aviva Stanoff Design is an American artisanal studio specializing in original textile designs, bespoke pillows, throws and home accessories. I then piece these objects together in an organic fashion, using processes that mark time by wrapping and stitching them in a repetitive manner. Aragonite Essentials Aragonite Essentials. I construct my work by combining found and repurposed items using glue, cloth and thread as a binder for these materials. My current work began with my obsession for gathering discarded bits of information, assembling and reassembling them to create an order of my own invention.

My work serves as a kind of bond signifying a confluence of my experiences that I can use to be present as I pass through life. Making these pieces helps me feel that I am able to leave a footprint. In 2005-7 she made several visits to Banff in the Canadian Rockies from which the Canyon Series emerged. The ethos behind the venue is artist flexibility, said Paul Moore, Factory International Director of Production and Operations. Much of the time I struggle to find a place that I can function and make some sense of this world. In 2001 she was awarded a residency at the Pouch Cove Artists’ Foundation in Pouch Cove, Newfoundland and a second residency was awarded to her in 2004. I am very influenced by science and medicine, affecting how we live our lives.

My artwork takes an improvisational approach to the “fabric” of all life forms.

Aviva artist